george formby
Alan’s Introduction
We are all aware of George's career from before 1936 and during the war but I have always been rather vague about what he did from the
end of the war until his untimely death in March 1961. In view of this I have done a little research and with the help of founder member John
Walley I have managed to put most of the story together. This series of articles was first published in the early 90s, so in view of the many
new members who have joined since then I have re-written them and added to them with some more recently learned facts.
House Sale
In 1945 George sold the house in Mains Lane, Singleton, to a Blackpool manufacturer and decided he wanted to become a gentleman
farmer. He bought a farm with a large gentleman's house and a cottage near Garstang, called Sullom End. He bought some calves in Penrith
to start off his "Beryldene herd". The calves were named "Beryldene George", "Beryldene Funny", Beryldene John Willie" and "Beryldene
Beryl". George used to go to the Co-op in Garstang on
his motorbike to do some shopping.
George Sells His Farm
The Trade Show of George in Civvy Street was held on
10th April 1946. It is not known why only nine months
later George sold the farm to the owner of Blackpool
Pleasure Beach, Mrs. Thompson who lived there until
she died on 23rd June 2004, aged 101. In May 1946
George flew to Sweden and was paid £1,200 for three
concerts in Copenhagen and Stockholm. In Stockholm
on 17th May 1946 the orchestra under the direction of
Thore Jederby, had some trouble with George's music
but George battled through and the audience seemed to
enjoy the songs even though George had trouble
explaining what the words meant! George went down so
well that a further three concerts were arranged for the
Tivoli Gardens where he was paid a further £1,200 and
then ended the tour with concerts at Odense and
Aarhus.
They returned to England and he spent the next three
months tending his herd and tinkering with his
motorbikes. He did a few charity concerts to aid
relatives of servicemen who were killed and injured in
the war.
South Africa
In October 1946 the Formbys flew to South Africa for what would turn out to be a problematic tour. The head of the National Party, Mr. Malan,
who two years later was to introduce Apartheid would not allow the native Africans to attend any of George's concerts. Beryl promptly
arranged concerts for blacks only which were held in run-down venues in seedier parts of the town and had to pay for an armoured vehicle
and police escorts to take them to the venues.
In all twenty shows were given and George did not accept a penny for doing them - a move which resulted in the Formbys virtually being
ordered to leave the country and were ordered "not to return".
When they returned to England from South Africa they immediately began rehearsals for Dick Whittington at the Liverpool Empire. Beryl's
parents had been living with them for the past twenty years and just before the curtains opened for the first performance Beryl got a phone
call from the housekeeper informing her that her father had just died. The funeral was on Christmas Eve, so it must have been quite a
traumatic year for them. After two months of sell-out performances they went down to Norfolk for a short holiday and a local newspaper
reported that George was looking to buy a cruiser and also that Beryl was admitted to hospital for observation. She spent three weeks in
hospital because she had to have a small operation and after a few weeks' rest George played two weeks at the London Palladium with Billy
Russell as supporting act.
The Norton Factory
In July George travelled to Birmingham to do a charity
Workers' Playtime at the Norton motorcycle factory and
was well recompensed when the managing director
presented him with the first Norton Manx International
off the assembly line since the end of the war. George
would hardly ever ride the machine, he said it was too
powerful and later sold it for £250, giving the money to
charity.
Touring
During the next two years George and Beryl embarked
on a series of Commonwealth tours leaving a nervous
housekeeper in the large house at Mere. In September
1947 they left for Australia via New York and Hollywood.
The high life in America didn't suit George, he was like a
fish out of water, and after several glitzy parties they left
for Australia. In Sydney George made an address at a
film convention but the real tour was to start off in
Melbourne. On the morning of the first show George
was asked if he intended to do non musical sketches as
well as his musical act. As it was his intention to do
comedy sketches he was told that he would have to join
the Australian Equity and pay twelve months
subscription, otherwise he would not be able to perform.
George's first reaction was to ask Beryl to book seats on the next flight home, but Beryl said "We won't be submitting to petty bureaucracy
and we will be off to New Zealand in the morning and the Australians can either like it or lump it."
They left for New Zealand the next day and spent eight days there from 17th to 24th September. He was able to fit in some sightseeing with
theatre engagements, two radio interviews and a half hour radio programme in Auckland (just George, Beryl and the pianist). By 26th
September they were back in Sydney again receiving a fee of £1,000 for official engagements and gave several charity performances for the
Food for Britain fund. Remember, Britain was still on rationing until the early 1950s. George stayed "On the other side of the world" for most
of the Australian summer. It must have been a world apart down under with the tremendous reception he received in the theatres, the
sunshine and abundance of food. In January 1948 George was back in Melbourne having settled the argument with the Australian Equity, and
the records show that he did an interview on "Stage Door" Radio 3AW.
Besieged with work offers
When they arrived back in England George was
besieged with film offers all of which he turned down
saying "My days of clowning are over, from now on I'm
only doing variety." The truth was that he was quite tired,
the tours had taken a lot out of him and the doctors were
treating him for a gastric ulcer.
However, in December he opened in Cinderella at the
Liverpool Empire playing Buttons for the first time and on
his usual £1,000 per week while the rest of the cast were
struggling on £20 per week. George was overheard to
call them "A bunch of Communists" for threatening to go
on strike. He had a row with Harry Scott, his personal
assistant, because he agreed that they were underpaid
and that they were justified in their actions. After an
argument Scott left Liverpool and George and Beryl
chased him back to Blackpool where they found him
drowning his sorrows in the Opera House bar. They
brought him back to Liverpool in the Rolls and gave the
chorus a rise in salary without discussing it with the
management.
George moves house again
In 1949 George bought a house called 'Linden Lea' on
the seafront at St. Annes-on-Sea, just round the corner
from the White Church on Granny's Bay near the end of the Esplanade. In the summer of that year they stood in for Donald Peers who had
laryngitis in the show Buttons and Bows at the Grand Theatre, Blackpool, and then in September 1949 they flew to Canada where they
celebrated their Silver Wedding Anniversary on 24th September. On 3rd October George was interviewed in Hamilton, Ontario, and on the
31st he was in Vancouver. At the end of the tour they travelled to Toronto on the other side of Canada then sailed back to Liverpool on the
Empress of France, spending much of the crossing in their cabin suffering from flu.
The Story Since 1945 Part ONE
I met Alan for the very first time when I attended my first Blackpool convention
sometime in 1991 or 1992. I travelled alone and only for the one day, but I already
knew many of the Yorkshire lads through my association with the Yorkshire Ukulele
Circle: Dennis Mitchell, Dickie Speake, Mac McGee, Dennis Taylor, and several others.
I spoke with Alan for a while on that first day. He used to record the meetings on a
cassette recorder, which he would place at the side of the stage. I was immediately
drawn to Alan’s playing style and his talent as a top performer. As I got to know him
better, I began making sleeves for his recordings, with the name of the artist and the
songs performed. Eventually, his wife Hilda took over when she became familiar with
using a computer.
I always felt that Alan could have done anything in the GFS, he was devoted to it and
was a dedicated, hard-working committee member and contributed a great deal of
writing to the GFS magazine. In short, Alan Southworth was one of the best ever
members of the George Formby Society, and whilst the GFS continues to function, he
will never be forgotten.
The words he penned on these pages have appeared in The Vellum twice: once in the
1990s, under the title The Story From 1946, and again between 2012 and 2013.
Some people may wonder why it is repeated here. The reason is simple. During my
long friendship with Alan, he gave me many papers he had written, and one in
particular caught my eye: fourteen A4 pages titled The Story Since 1945. Now, not only
will later members of the GFS be able to read Alan’s words, but they will also be
available to any George Formby enthusiast who visits the website.
PP - 12/2025
GEORGE FANCIED THE FARMING LIFE!
GEORGE RECEIVES A GIFT FROM THE NORTON WORKS IN BIRMINGHAM
GEORGE AND BERYL AT HOME AT MAINS LANE, SINGLETON