Plagued by a domineering mother, newly wed textile mill
foreman develops new type of yarn for the manufacture of
lingerie, which is modelled successfully by his wife.
This film has a much more serious story line than the usual
Formby comedy, and there is no slapstick. It is certainly the
star's most rounded, straight-forward acting role.
Brendan Ryan
This is George's last film for the ATP set-up and in it he does a
bit of serious acting. And, he's not bad at it either. The action
takes place around a textile mill in which our hero develops a
revolutionary new cloth. One of the best (and most underrated
songs) is "You Can't Go Wrong In These" in which George sells
his wares at a fashion show.
George has a dragon for a mother-in-law but to make up for
this, he also has a lovely wife in Peggy Bryan.
George also plays a Dallas uke/banjo in this film as opposed to
his usual Abbott, Ludwig or Gibson instruments. George had a
contract with the Dallas company and his head was illustrated
on the peg-head of the complete range of instruments.
Peter Pollard
Leslie Halliwell's Film Guide
An employee teaches an underwear firm to move with the
times. Tolerable star comedy from his late period.
TURNED OUT NICE AGAIN
Ealing/United Artists
Produced by: Michael Balcon
Writers: Austin Melford, John Dighton and Basil Deardon
From the play, "As You Are" by Hugh Mills and Wells Root
Director: Marcel Varnel
Trade Show: May 27 1941; Released on: August 4 1941
Runtime 77 minutes
Cast:
George Formby, Peggy Bryan, Edward Chapman, Elliot Makeham,
Mackenzie Ward, O. B. Clarence, and Wilfred Hyde White and
Michael Rennie in bit parts.
SONGS:
Auntie Maggies Remedy (Formby/Latta)
You Can't Go Wrong In These (MacDougal)
The Emperor Of Lancashire (MacDougal)
You're Everything To Me (MacDougal)