Plagued by a domineering mother, newly wed textile mill foreman 
  develops new type of yarn for the manufacture of lingerie, which is 
  modelled successfully by his wife.
  This film has a much more serious story line than the usual Formby 
  comedy, and there is no slapstick. It is certainly the star's most rounded, 
  straight-forward acting role.
  Brendan Ryan
  This is George's last film for the ATP set-up and in it he does a bit of 
  serious acting. And, he's not bad at it either. The action takes place 
  around a textile mill in which our hero develops a revolutionary new cloth. 
  One of the best (and most underrated songs) is "You Can't Go Wrong In 
  These" in which George sells his wares at a fashion show.
  George has a dragon for a mother-in-law but to make up for this, he also 
  has a lovely wife in Peggy Bryan.
  George also plays a Dallas uke/banjo in this film as opposed to his usual 
  Abbott, Ludwig or Gibson instruments. George had a contract with the 
  Dallas company and his head was illustrated on the peg-head of the 
  complete range of instruments.
  Peter Pollard
  Leslie Halliwell's Film Guide
  An employee teaches an underwear firm to move with the times. 
  Tolerable star comedy from his late period.
 
 
 
 
 
 
 
  TURNED OUT NICE AGAIN
  Ealing/United Artists
  Produced by: Michael Balcon
  Writers: Austin Melford, John Dighton and Basil Deardon
  From the play, "As You Are" by Hugh Mills and Wells Root
  Director: Marcel Varnel
  Trade Show: May 27 1941; Released on: August 4 1941
  Runtime 77 minutes
  Cast: 
  George Formby, Peggy Bryan, Edward Chapman, Elliot Makeham, 
  Mackenzie Ward, O. B. Clarence, and Wilfred Hyde White and 
  Michael Rennie in bit parts.
  SONGS:
  Auntie Maggies Remedy (Formby/Latta)
  You Can't Go Wrong In These (MacDougal)
  The Emperor Of Lancashire (MacDougal)
  You're Everything To Me (MacDougal)